“I do believe that in French music you have to choose the color palette differently,” Müller-Schott wrote on his website. “In French music, as in painting, you need the colors that are in between. Transitions, shades that are not immediately recognizable, that may come into focus from a distance.”
“Having a subtle, also very sensitive partner is really the be-all and end-all,” he said. “With Alexandre, I am now looking forward to getting to know someone who is also pursuing precisely this goal of subtlety that is really needed in French music.”
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